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The Role Of Women As Portrayed In Classical Mythology Essay

The Greco-Roman society was a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the classic mythology we will see that the roles women portrayed are very different than women’s roles in today’s society. Although there are a few similarities to women’s roles in today’s society, their roles are more like those women in the past. We can see this by looking at the attributes of Greco-Roman female gods and looking at the roles women play in the myths. By comparing the roles of women in the myths with women’s roles today we will see that the roles have many differences and few similarities. The first things we will look at to show women’s roles reflected in Classical mythology†¦show more content†¦This is different than today’s society because today gardening is shared among males and females and we know that it is actually the males X or Y chromosome that determine the sex of a child. Aphrodite is another Olympian Deity who helps show the role of women in Greco-Roman society. Aphrodite was the goddess of sexual desire. I think this showed that women in this period used men’s desire to get things they wanted. In one myth Aphrodite got Zeus to change himself into a swan. Now, who’s supposed to be the most powerful god? This is very similar to the role of women in today’s society. Women usually use men’s desires to get them to do what they want them to. The big difference is that in today’s society many women give into the men and share in desire with them before they are married while in the Greco-Roman society very few women had premarital relations. Women who were not virgins were usually never married and sold into slaves by their fathers (Powell 34). Another way to look at the role of women in Greco-Roman society, as reflected in Classical Mythology is to look at women’s roles within myths. Several myths that help explain women’s roles in Greco-Roman society are The Folktale of Pandora, Theseus and Hippolytus, The story of Penelope, and the Homeric Hymn to Demeter. All of these myths help to show the roles of women in the Greco-Roman Society. The folktale of Pandora is one myth which helps show the role of women in theShow MoreRelated Equality Between Men and Women in Modern Society vs. Ancient Greek Society625 Words   |  3 PagesIn todays society, women hold a position equal to that of a man. However, this has not always been the case especially in the Ancient Greek society. In the society there were many rules and regulations for all, but in particular the women had it the hardest. Women were seen as insignificant characters in the Ancient Greek society. While the men†¦.women attained the most difficult job of all, bearing children. These women in the society had very little freedom, actually no freedom at all. Can youRead MoreThe Role of Women as Portrayed in Myths1527 Words   |  7 PagesThe Role of Women in Greco-Roman Society: As Reflected in Classical Mythology The Greco-Roman society was a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the classic mythology we will see that the roles women portrayed are very different than womens roles in todays society. Although there are a few similarities to womens roles in todays society, their roles are more like those women in the past. We can see this by looking at the attributesRead MoreGreek Goddess And Greek Women874 Words   |  4 PagesThis review attempts to analyze the Greek goddess Athena as well as Greek women whose function in society contrasts with the roles of a goddess. This topic is of relevance to feminist’s who are smashing down barriers on stereotypes of women, this study attempts to shed some light to recognize the roles of Athena and Greek women. 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In adulthood, he kills his wifeRead MoreTreatment of Women in Ancient Literature Essay1647 Words   |  7 PagesWomen are constantly portrayed as tempting men by using their sexual charms. And so women who remained chaste were held in a higher esteem than those who highlighted their sexuality. Walcot writes, â€Å"The Greeks believed women to be incapable of not exercising their sexual charms and that the results were catastrophic, irrespective of whether or not women set out to cause trouble deliberately or acted in a blissful ignorance of what they were doing† (39). In Homeric tales we see the character OdysseusRead MoreA great artist, Eugene Delacro ix, once said, â€Å"What moves men of genius, or rather what inspires2700 Words   |  11 PagesGiorgio Vasari claimed about Botticelli that, â€Å"he loved beyond measure† (Lightbown 17), and that his affections were absorbed by his family and his artwork by mysteries of religion and Greek Mythology. One of the unusual depictions of Botticelli’s early work at the time was that it was all based off mythologies and not religious paintings which must have been a shock to people outside of the Humanist circle. Botticelli’s work is very sophisticated and feminine. Botticelli loved to make his paintingsRead MoreWomen s Art Journey By Depicting Women941 Words   |  4 Pages From ancient times to the present, many artists begin their art journey by depicting women. Although women have been excluded from art history for a few centuries, a closer look at what inspired great male artists shows they were still very much involved. For some of history’s most famo us artists, the lives of women were not simple ones, they were more than muses or wives; they were partners in love, passion and creativity. As Marie-Therese Walter to Picasso, Frida Kahlo to Diego Rivera. Before

Do All the Measures Rank the Project Identically Why and Why Not free essay sample

Phuket Beach Hotel: Valuing Mutually Exclusive Capital Projects Mike Campbell, General Manager of Phuket Beach Hotel, paced his office and considered an offer made by Planet Karaoke Pub. Planet Karaoke Pub was expanding fast in Thailand. It was looking for a venue in the Patong beach area for setting up another outlet, and was eyeing an unused space owned by the Hotel. At this point, the space was located on the second floor of the main building and was very much underutilized. It was reserved for the construction of an alley linking to a new wing for the hotel, which would not be completed until two years later. Planet Karaoke Pub offered to sign a four-year lease agreement with the hotel for renting part of the unused space. It proposed to pay: †¢ a monthly rental fee of 170,000 baht for the first two years; and †¢ thereafter, a 5 percent increment for the next two years. In order to accommodate the hotel’s expansion plan, Planet Karaoke Pub required only 70 percent of the unused space, which had a size of 3,000 sq. feet. This would allow the hotel to keep the remaining space for the creation of an alley two years later. It was envisaged that the proposed pub would not affect the hotel’s future expansion plan. Nevertheless, Mike was still a bit perplexed about the decision facing him. Similar development proposals had previously been rejected by the board of directors. One of the old proposals, which involved converting the space into a cigar and champagne bar, had been rejected by the board because it required a long payback period. Another proposal for the creation of a spa was discarded due to its low return on investment. Given that the present capital budgeting system ranked projects according to payback period and average return on investment, Mike decided to seek careful analysis of the offer from the Pub1. That evening, Mike asked to meet with Kornkrit Manming, the hotel’s Financial Controller, to discuss the offer from Planet Karaoke Pub. THE MUTUALLY EXCLUSIVE PROJECTS Mike’s discussion with Kornkrit went as follows: Mike: I see you have been busy. But I still need you to evaluate the offer from Planet Karaoke Pub for me, and to give me any positive or negative insights that you think are significant. Kornkrit: No problem. I can present to you a detailed analysis within this week. But don’t you think we should provide more alternatives for the hotel owners to decide? Mike: That’s what I’ve been thinking. Perhaps we can create a pub by ourselves. Karaoke pubs are spreading fast in Thailand. A number of surveys have shown that they attract a lot of customers and tourists. Kornkrit: That sounds like a good idea. Mike: Please assess the projects carefully. You may ask your new assistant Wanida to help you. This is simple, isn’t it? Kornkrit: I think the most difficult part is to estimate future profits and allocate overhead costs to each project. I’ll work on this first. Then I’ll ask Wanida to rank the projects according to their payback period and return on investment. Mike: Good. I would like to have the results of your analysis next Monday. 1 Average return on investment = Average annual cashflow after taxes/Net investment 2 KORNKRIT’S ANALYSES Kornkrit began his evaluation by reviewing the offer from Planet Karaoke Pub and estimating the revenues and costs associated with an alternative project, Beach Karaoke Pub. Planet Karaoke Pub To make the space ready for lease, the hotel had to set up partitions and a small kitchen. Various estimates of the up-front renovation costs ranged between 770,000 baht and 1,000,000 baht. The costs would be depreciated over the life of the project using the straight-line method, with zero salvage value. Since the existing toilets, elevators, and carpets would be utilized to support this project, Kornkrit believed that a fair share of these overhead expenses should be allocated to the project. The pro rata allocation of the costs of these facilities, based on the floor area of the space used for the project, amounted to 55,000 baht. Due to the foreseeable increase in activity, Kornkrit would like to change this project for an increase in repair and maintenance costs of 10,000 baht per annum. The pub would pay all utility and other expenses. Beach Karaoke Pub The project would require an up-front investment ranging between 800,000 and 1,200,000 baht. This represented the cost of a modern-style decor. Other capital investment, including chairs, bar tables, kitchen set-up, and karaoke equipment, would amount to 900,000 baht. Kornkrit expected revenue to be generated 50 percent from walk-ins and 50 percent from hotel guests. Estimated total sales would be 4,672,000 baht for the first year of operation. Kornkrit arrived at this figure by assuming an average of 64 covers per day with an average check of 200 baht. With a seating capacity of 32, the pub had to turn tables at least twice a day. Operating hours of the pub would be from 5. 00 p. m. to midnight. The projected length of the project was six years. Sales were expected to grow at 5 percent per annum in terms of the average check. Growth in covers would be limited due to limited capacity. Kornkrit’s estimates for operating costs were as follows: Food and beverage costs Salaries Other operating expenses Depreciation: equipment furniture Annual capital expenditure 25% of sales 16% of sales 22% of sales Depreciation equally over the life of the project using the traight-line method; with zero salvage value at the end Equaled depreciation Kornkrit estimated that salary expenses would account for 16 percent of sales. Staff could be recruited internally because the hotel had excess manpower at this point. The excess staff had long- term contracts with the hotel and were kept in order to meet the demands of the growing business. Repair s and maintenance costs were estimated to be the same as for Planet Karaoke Pub. CAPITAL STRUCTURE Phuket Beach Hotel has a capital structure consisting of 75 percent equity and 25 percent debt. The debt consisted entirely loans from Siam Commercial Bank bearing an interest rate of 10 percent. The hotel owners’ cost of equity was 12 percent. The corporate tax rate in Phuket was 30 percent. THE TEST Kornkrit was quite happy with his estimates, though it had taken him more time than he had originally thought. Now, he had all the figures he needed. The next step was to rank the projects according to the criteria set by the hotel’s capital budgeting system. He saved his file and sent it to his new assistant Wanida, a recent graduate from Tammasat University. â€Å"Here you go, Wanida. This will test what you learnt at business school! he thought. 3 The following is an excerpt from an email from Kornkrit: To: Wanida Daoruang From: Kornkrit Manming Subject: Ranking Capital Projects Dear Wanida, †¦.. I have provided you with all the figures you need for the projection of future profits for the two projects. Please evaluate the projects on the basis of their payb ack period and their average return on investment. Note that future profits should be discounted at 5%. This is the interest rate we earned from our time deposits at Siam Commercial Bank. I believe some of our old proposals were rejected because we used a discount rate that was too high. Since we have enough cash on hand to finance the projects, I don’t think we should take into account the cost of debt when estimating the discount rate. Let me know if you have any questions. Regards, Kornkrit Manming Wanida pondered the details of the projects. She thought there was something wrong with the hotel’s capital budgeting system, which had not been reviewed for many years. The existing system ranks projects according to their average return on investment and payback period. It seemed to her that something was omitted in the analysis. Wanida was also aware that certain aspects of the investment decision were difficult to quantify. The Chief Security Officer had expressed his concerns and displeasure over the security problems that a karaoke pub might bring. He was worried that the pub might attract unwelcome guests from outside. This might be a negative factor for the pub in terms of attracting tourists travelling with children. Wanida thought they accounted for 25 percent of total patronage [see Table A for the projection on net room revenue for the next six years]. TABLE A: Projection of Net Room Revenue (in Baht) (= Room Sales – Room Operating Expenses) Year 1 2 3 4 5 6 Net room revenue 13,200,000 13,464,000 14,137,000 14,844,000 15,140,000 15,443,000 The following are the questions that Wanida considered: 1. What are the relevant cashflows associated with each project? 2. What criteria should be used to evaluate the projects? 3. How can I compare projects with different lives? 4. What discount rate should be used? Wanida thought the discount rate of 5 percent was too low. Investing in the two projects was certainly more risky than putting money in the bank. 5. What are the key value drivers and how do they affect the attractiveness of the projects? 6. Which investment project should be recommended to the board of directors? When Wanida got home, she had a talk with her husband about the proposed projects. Her husband, a social worker, reminded her of the increasing number of drug arrests in karaoke pub. He suggested that as a good member of the community, the hotel should not be involved in this type of project. 4 Questions 1. Assess the economic benefits associated with each of the capital projects. What is the initial outlay? What are the incremental cashflows over the life of the project? What is an appropriate discount rate to use for discounting the cashflows of the projects? . Rank the projects using various measures of investment attractiveness. Do all the measures rank the project identically? Why and why not? Which criterion is the best? 3. Are the projects comparable based on the standard NPV measure, given that they have unequal lives? What adjustment or alternative method is required in comparing such projects? 4. How sensitive is your ranking to changes in the discount rate? What other â€Å"key value drivers† would affect the attractiveness of the projects? Estimate the sensitivity of your result to a change in any of the key value drivers. 5. Which project should the hotel undertake?

The Importance Of Being Earnest By Oscar Wilde (1854 - 1900) Essays

The Importance of Being Earnest by Oscar Wilde (1854 - 1900) The Importance of Being Earnest by Oscar Wilde (1854 - 1900) Type of Work: Comic, farcical play Setting London, and a country house in Hertfordshire, England; the 1890s Principal Characters Jack Worthing, gentleman of the Manor House; also known as "Ernest" Celcily Cardew, Worthing's pretty young ward Miss Prism, Cecily's governess Algernon Moncrieff, Worthing's friend Lady Augusta Braknell, Algernon's aunt Gwendolen Fairfax, Lady Bracknell's daughter The Reverend Canon Chasublc, Rector of Woolton Story Overveiw While Algernon Moncrieff and his manservant prepared for a visit froi-n his aunt, the formidable Lady Bracknell, their conversation turned to the question of marriage. Observing the servant's somewhat lax views on the subject, Algernon declared, "Really, if the lower orders don't set us a good example, what on earth is the use of them?" This chat was interrupted by the unexpected arrival of Algernon's friend, Ernest Worthing Worthing was pleased to hear that Lady Bracknell - and her beautiful daughter Gwendoleii - would be appearing for tea. But Algernon warned, "I am afraid Aunt Augusta won't quite approve of your bein here." Mildly insulted, Ernest demanded to know why. "My dear fellow," Algernon answered, "the way you flirt with Gwendolen is perfectly disgraceful. It is almost as bad as the way Gwendolen flirts with you." At this point Worthing announced that he intended to propose marriage to Gweiidolen, but was taken aback by Algernon's response: "I doii't give my consent." Worthing, would first have to explain a certain "Cecily" in his life. As evidence of this relationship, he produced a cigarette case left behind by Worthing on an earlier visit - devotedly inscribed from "Cecily" to her loving "Uncle Jack." "Well," admitted Worthing, "my name is Ernest in town and Jack in the country." It happened, he said, that Cecily was his ward, who lived in his country home under the watchful eyes of a sterii governess, Miss Prism. But to escape the stuffy constraints of country living, Jack had invented an alter ego: " . . . In order to get up to town I have always pretended to have a younger brother of the name of Ernest, who lives in Albany, and gets into the most dreadful scrapes." Thus, Jack was often "called away" to the city to "rescue" irrepressible Ernest. Smiling, Algernon now confessed that he too was a "Bunburyist," a friend of the equally fictitious "Bunbury," a"permanent invalid," whom he visited whenever he chose to get away. When Lady Bracknell and Gwendolen arrived, Algernon took his aunt aside, leaving "Ernest" and Gwendolen alone. "Miss Fairfax," Worthing stammered, "ever since I met you I have admired you more than any girl - I have ever met since - I met you." Gwendoleii admitted to returning these warm feelings, in part because "my ideal has always been to love someone of the name of Ernest." Would she still love him, asked Jack, if his name were, say, "Jack"? "There is very little music in the name Jack," observed Gweildolen. Before more could be said, Jack knelt and asked her to marry him. At that moment Lady Bracknell entered, and the couple announced their engagement. Highly displeased, Lady Bracknell requested a private conference with Mr. Worthing, in which she asked about his income, his politics, and, finally, his parentage. "I don't actually know who I am by birth," lack explained; as a baby he had been found in a handbag in the coalroom of the train station. Lady Bracknell was shocked. Neither she nor her husband, she huffed, could allow Gwendolen to "marry into a cloak-room, and form an alliance with a parcel." Now Jack considered his predicament. At least, he decided, he could deal with the complication of Ernest. His imaginary brother must soon "dic" of a severe chill. Deep in these new intrigues, he left. Meanwhile, Algernon, his curiosity piqued by jack's mysterious young ward, decided he must meet this Cecily. At the Manor in Hertfordshire, Miss Prism and Cecily were talking in the garden. Cecily expressed the hope that Jack would soon allow his reprobate brother Ernest to visit: "We might have a good influence over him." Miss Prism discouraged this idea, but just a few moments after she had left for a stroll with her own admirer, Dr. Chasuble, the local minister, the butler announced the arrival of Mr. Ernest Worthing, and in walked Algernon Moncrieff, posing as Jack's deliciously wicked - and non-existent brother. After some chit-chat and over a bite to eat, "Ernest" (Algy) implored his "cousin" to "reform him." Soon Miss Prism and the Reverend returned, just in time to be greeted by Jack Worthing, who arrived with tears of grief